If You Have a Minute captures the charm and intimacy of a time when handwritten letters were more than just communication; they were moments of genuine connection, imbued with the emotion and craftsmanship of the writer’s hand. The textured layers and flowing calligraphic strokes are not meant to be read in the traditional sense but to be felt, resonating with the energy of a letter written with care. The text, used as a visual element, embodies the rhythm of each pen stroke, creating a sophisticated tapestry where the personal becomes universal.

Beneath the abstract forms and muted tones lies a fragment of life, a message both tender and humorous:

“Dear Grace and all. Just a line to see how uncle Lum is getting along. Haven’t been able to talk to mama, on account of the strike, so if you have a minute of time, wish you drop us a card. How are the rest of you? Hope aunt Lucy and Cedric are over the flu. We are all well and getting as fat as a bunch of pigs. Every day I tell them I’m starting tomorrow to reduce, but tomorrow never comes. Tell uncle Lum we are coming to see him as soon as we can. Love, Alma.”

The craftsmanship shines through in the layering techniques, where delicate washes of color blend seamlessly with textured strokes, evoking a sense of history and timelessness. The use of calligraphy as texture transforms the written word into an abstract art form, allowing the viewer to experience the ebb and flow of emotion as though tracing the path of the writer’s hand.

If You Have a Minute goes beyond mere aesthetics; it is an invitation to engage with the soul of the piece. The layering of elements adds depth, drawing the eye inward to explore the intersections of memory and material. It is a true testament to the beauty of human touch, where every mark, wash, and stroke is crafted with intention, preserving the fleeting essence of a moment lovingly shared across time.